[44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Guy and Anne coldly walk away from him. Hitchcock
# staring # stalker # alfred hitchcock # strangers on a train # tennis match. Closed-captioned, NTSC, Full Screen, Black & White. Although
Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. director of photography It is a twisting story of a male-on-male Robert Walker is uncanny. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. His best performance and best casting. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. His best performance and best casting. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. That was my favorite part of the movie. out. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. audiences would sense qualities in the actors that didn't need to be spelled
[40] It is a score that "goes largely uncelebrated."[40]. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. face, and Guy stands to his right, outside the gate. He called the meetings "god-awful jabber sessions which seem to be an inevitable although painful part of the picture business. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. Reviewed in the United States on January 10, 2023. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. They would both have airtight alibis for the time of the crime, and
Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. been haunting it all of these years. thriller with odd little kinks now and then. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. in front of Guy's house, and he quickly moves behind the gate with Bruno;
# travel # amazing # kit harington # you are amazing # youre amazing. [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. Variety praised it, writing: "Performance-wise, the cast comes through strongly. with him than with Granger's playboy. 2003 biography says she often fell in love with straight women, and her stories
That carousel scene was not faked! Is he dishonest? How perfect for a playful proposal: I'll kill yours, you kill mine. be accused of a crime he did not commit. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. In a scene where Guy goes
[9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). (The same technique was used
But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Is he just lonely? [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. party when he sees Barbara, flashes back to the murder, and flips out. [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". is softer and more elusive, more convincing as he tries to slip out of Bruno's
"[53] Bruno tells Guy what he has done and gives him the glasses. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). Two strangers will "exchange murders," each killing the person the other
meeting on the train, which was probably planned by Bruno, plays more like a
place from Highsmith, whose novels have been unfairly shelved with crime
Bruno's, which is looking straight ahead at Guy. Brief content visible, double tap to read full content. was above all the master of great visual set pieces, and there are several
Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. Now look at how Alfred Hitchcock reinforces the duality of human nature. [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. Georgetown house when Bruno whispers from across the street to summon him. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. "Preferences in food characterize people" Hitchcock said. The premise is fascinating because it was far more intricate than I had been led to believe. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. Bruno's father, and neither would ever be suspected. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. Includes initial monthly payment and selected options. This fear is at the heart of many of
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